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March 20, 2009

シアターブロック「オイディプスの娘」

シアターブロック
19-Mar-2009 19:10~21:00
明石スタジオ

Corich公演情報

090319

WキャストのBチームを拝見。

 序詞役のナビゲーションがあるためか、とってもわかりやすい。ジャン・アヌイの原作自体が、ソフォクレスの「アンチゴーネ」を現代的に書き換えた作品のようですね。言われてみれば、クレオンのもつ悩みは、かなり現代的でリアルだったなあ。

 静かだけれど濃厚な110分。カルピスの原液のような濃い会話劇を堪能。

 最初は全く似ていないと思ったイスメーネ(野水佐記子)とアンチゴーネ(佐藤麻衣子)でしたが、二人が絡む場面を見てるうちに姉妹にしか見えなくなってきたのが不思議。きらびやかな姉と地味な妹の違いはあるけれど、仕草や表情が似ているからかなのでしょう。
 クレオン(大渕 浩)とアンチゴーネ(佐藤麻衣子)の会話は聞き応えあり。話せば話すほど、アンチゴーネの意思は確固たるものになってゆき、その後の悲劇の色が濃くなってゆく。どこに悲劇を感じるかというと、悲しい結末に対してよりも、その結末に向かっていくしかない姿のなかに感じるものなのですね。

 ギリシャ悲劇をもとにした作品は、何回か見ているのだけれど、毎回「根底の部分は、やっぱり西欧的思想が流れているよな...」と感じます。権力をめぐる人間の愚かさや、人間の残酷さ、そこから生まれる悲劇というものは人類共通で、だからこそギリシャ悲劇がいまでも世界中で読まれているのでしょう。ただ、その原因をつきつめていくと、いかにも西欧的な悩みがもとになっているような。もし舞台が東洋だったら、もっと別の物語が生まれていたのではないか、ひょっとしたら、あそこまでの悲劇は生まれなかったのじゃないかと思うのです。

アンチゴーネ 佐藤麻衣子(文学座)
クレオン 大渕 浩
エモン 西岡野人(文学座)
イスメーネ 野水佐記子
乳母 仲野元子
衛兵 岩田 真
衛兵 多田広輝
小姓 塩谷直美
女中 蒲池由香
序詞役 新城 聡
 
原作 ジャン・アヌイ
演出・台本 新城 聡
照明 伊藤篤史、河合良輔
舞台監督 川井誠也
音響操作 鈴木征太郎
衣裳協力 ナオベルコレクション

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